I often hear, sometimes even big fans of electronic music, that only beats lately and can own capsize their hearts, a song can be good without a perfect mastering, sound invariably sizzling vitiating the quality of a piece.
Bullshit outrageous and absurd.
There are recent examples of artists who have suffered the law of its own. A law ardently defended by the high places of music training themselves. Thus William of Manbell Teenage Bad Girl was dried by the jury of the Paris Conservatory. They considered outrageous dare make a sound so compressed and fat, while applying for training as a sound engineer.
few years later, teenage bad girl will become one of the figureheads of the electroclash ...
This apology sound deliciously dirty, old house in Chicago that I find most arguments. The musical production was genuine and it shows. And there's no nostalgia in there, because I was too young.
In this area
Dance Mania évidemmant largent is shown. The legendary Chicago label that offered its share of slaughter-house ghetto sizzling well.
The first is signed by the very active Dj Milton, the second of far less prolific but equally effective DJ JR Dionte . Both tracks are pure ghetto house.
And not to sink in the facility relying solely on Dance Mania, you put in a third. Released in 1991 on Night Club Record label deep-house also located in the Holy Land and who produced the excellent compilations black traxx, the piece is particularly interesting. It has indeed a purely deep-house, plus a rhythm breaks and UK Rave surout connotations. It is based or inspired the wave-happy hardcore occurred the same year.
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